Sketches of Lhasa (#2)

11 Oct

Rock paintings of Lamas outside Drepung Monastery

Drepung Monastery was built in 1416. It is the largest of all Tibetan monasteries and is also a university for monks seeking formal instruction in Buddhism. It was the primary residence of the Dalai Lamas until the 5th Dalai Lama finished the Potala Palace. The tombs of the 2nd, 3rd, and 4th Dalai Lamas are all housed in the main temple of the Drepung which is located just a few kilometers to the west of Lhasa and sits on the top of a small hill. A good chunk of the original monastery complex was destroyed during the 1959 PRC liberation of Tibet. When I visited in 2007, Drepung was so quiet that it seemed deserted. So, a year later, I was incredulous as I read the limited news releases coming out of Tibet, which reported that some of the monks at Drepung had been apprehended (and likely never seen again) for taking part in the uprisings which had erupted that spring in Lhasa and elsewhere in Tibet.  The entire monastery was then “closed” by the PRC for many months after it had crushed the dissent. I don’t think I saw more than a couple of monks in the entire monastery complex when I was there. I had the enormous assembly hall all to myself.  This hall contains tall columns and cushioned areas where the monks gather for prayer, ceremony, and debate. I strolled around the space with a relaxed stride and had no sense of time or urgency. I soaked up the details of each of the beautiful thangkas that rolled down from the rafters and beneath my feet were thick, multi-patterned Tibetan carpets.

Main Temple – Drepung Monastery

I veered off to the right side of the assembly hall and entered a few rooms where the ceilings were very high. In these rooms, I noticed wide shelves running up the sides of the walls and hitting the ceiling. Wire-like meshing had been placed outside of some of the shelves and parts of the items on the shelves crammed into this meshing. Due to the low light in these rooms, I had to use my flashlight to take a closer look at the shelves. I wanted to know what these ancient-looking, boxy items were.  I was able to see loose, rectangle-sized parchment leaves bound together by wood-like binding. They must have been over 300 years old.  Some of the parchment was nothing more than debris held only in place by centuries of inertia. These rooms were old libraries from Drepung’s earliest monastic university days. I wondered if they had ever been cataloged or interpreted by archaeologists, religious scholars, or any PRC agency.  I couldn’t believe that these books were sitting idly on these shelves untouched and crumbling into dust. The loss of knowledge is like losing anything else. Once it is gone there is only the memory of it and then the communication of that memory depends on who dictates it. I guess that’s how it goes.

Fresco – Drepung Monastery

On the walls around the assembly hall, the Drepung has striking frescoes showing “end of the world” scenes of man being ravaged by demons and beasts. These images reminded me of the “Garden of Earthly Delights” triptych painted by Hieronymus Bosch in the 15th century. The parallels were uncanny. I spent so much time studying these frescoes that when I finally made my way out of Drepung, I saw that my tour group shuttle had gone. I was not bothered since I had plans to ditch the group anyway. I knew there was another monastery nearby that I could walk to. This was the Nechung Monastery which although small in size contains the mystical soul of Tibetan Buddhism. The Nechung “Oracles” all used to live in this monastery and had their own special monks which tended to them.  I did not know what or who the “Oracle” was until I watched Martin Scorsese’s film, Kundun. The Nechung Oracle is a man who has the ability to serve as the medium between the earthly world and the spiritual realm. Through trance, reciting of mantras, and ritualized dance (complete with a heavy, ornate headdress), the Oracle opens himself to be possessed by the spirits who then are consulted on matters of prophesy, governmental affairs, the protection of the Dharma, and the security of the Dalai Lama. The process of undergoing a possession by the Oracle was sometimes so debilitating that the Oracle would be bedridden for weeks or even months afterwards. The Nechung Oracle was a state official in the government of pre-PRC Tibet and to this day serves as an important advisor to the Dalai Lama in exile. The Nechung Monastery had a very different vibe to it than any other monastery I had seen in Tibet.  It had been thoroughly destroyed in 1959 and rebuilt in part, but when I entered, I felt like I was walking through something that was still lying in smoking ruins.  Without the Nechung Oracle there, the monastery was dead. I know it is strange to say that about something which is made of nothing more than wooden beams and mortar, but there was only a feeling of death in Nechung.

Paintings on outside of Nechung Monastery

These feelings were reaffirmed by the harrowing paintings that had survived or been retouched on some of the walls of the central temple. These paintings showed menacing demons and serpents with their teeth and claws bared. Human skulls and flayed human skins were painted around door frames and along walls. Eyeballs dangled out of heads.

Detail of painting – Nechung Monastery

I thought about those Oracles who through the past centuries had passed through the doors which I myself walked through that day. I sensed the faint murmurs of something that to me was supernatural. There was a kind of spiritual “power source” emanating from Nechung — but this power source no longer had the medium it needed in order to be harnessed and wielded. It was flickering into oblivion – just like the books I had seen in Drepung.  A horrible realization struck me as I walked out of the Nechung:  Extinction.  It was happening right before my eyes.

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